Music
Music I most enjoyed discovering this quarter:
- Metropole Orkest & Leo Pellegrino: “Brass House / Moanin’ / Better Git It In Your Soul” (2017)
- Emmet Cohen / Bruce Harris / Patrick Bartley: Live From Emmet’s Place Vol. 52 (2021)
- Spiritualized: Everything Was Beautiful (2022)
- Sault: Air (2022)
- Arcade Fire: We (2022)
- Congotronics International: Where’s the One? (2022)
- The Smile: A Light for Attracting Attention (2022)
- Amorphous Androgynous: The Isness (2002)
- Transglobal Underground: Rejoice, Rejoice (1998)
- Mark Pistel: “Colorful World” (1997)
- Joe Rainey: Niineta (2022)
- Loop Guru: Moksha: Peel To Reveal (1996), Loopus Interruptus (2001), Bathtime with Loop Guru (2003)
- Directions: “Echoes (Continental Drift Version)” (1997)
- William Parker: Mayan Space Station (2021)
- Embryo: Auf Auf (2021)
- Eclectic Maybe Band: Reflection in a Moebius Ring Mirror (2019), Again Alors? (2022)
- Gnome: King (2022)
- Poliça: “Alive” (2022)
- Snarky Puppy: “Trinity” (2022)
- Miroslav Vitous: Universal Syncopations (2003)
- Vivaldi / Max Richter: The New Four Seasons (2022)1
- I really enjoy this, but did we really need another Richter “recomposition” of this exact piece before Richter has provided the same treatment to other beloved works? Could he next recompose Beethoven’s 9th or Stravinsky’s Rite of Spring or something else? [↩]